This Cherilea German Infantry WW2 in dark green plastic with brown helmet, boots and webbing was from the early 1960s and was brittle and crumbling. It had so far lost an arm and part of a base.
I drilled, wire pinned and glued the back foot to the base. I then glued the base fragments to a new piece of mounting board (with magnet strip below to attach to a tuppenny base). This kept the fragment of Cherilea roundel logo on the base, visible for the future. As I made repairs I took a few rough photos on the repair desk as I went – not always best quality in great light but a rough notebook of work done.
What did the missing arm look like? Was the German surrendering? Did he have a rifle? A little web research was needed.
These ‘German’ figures were a bit weirdly dressed compared to the more authentically uniformed Airfix and Britain’s Deetail German figures that I had grown up playing with. These 1960s Cherilea plastic issue figures of WW2 Germans had almost 1980s US or NATO “Fritz” helmets.
The green colour? Outside of deserts, German Infantry were made in grey plastic, Americans and British in green or khaki, as every 1960s/70s child knows. I noticed in several books that Britain’s hollowcast and other manufacturers produced their pre-war Grey German Infantry figures as post war green German Infantry, reflecting the Cold War changes in uniform? Were these supposed to be West German Infantry? Allies at last?
At first I thought the missing arm could be in the Hande Hoch! “Hands Up” surrender pose, one of those useless diorama poses along with ‘falling wounded’ beloved of toy soldier manufacturers in the 1950s to 1970s.
The surrender poses seem mostly confined to the enemy / Germans from 1950s and 1960s 60mm plastic down to 1970s OOHO Airfix Africa Korps version 2. The annoying waste of space wounded or dead diorama poses applied to figure sets of all nations.
Subtle propaganda reminder of Allied victory they may be, this was my limited childhood pocket money resources that the manufacturers were wasting on these and other useless diorama poses! I’m sure you could make a special thematic collection of useless enemy surrender poses. Such surrender poses exist from WW1 era with Germans wearing pickelhaube spiked helmets.
This gave me an idea of what the original figure was supposed to be like.
To get the arm sort of right, I gently drilled the missing arm and inserted a long enough piece of fine jeweller’s wire to make the arm and hand. Having built up the bulk of the arm with masking tape, I wrapped the remaining fine wire round a rifle length of thicker wire to make the rifle.
These could then be built up with strains of masking tape into the hand and the rifle shape. Triangular pieces of masking tape starting at the small end of the triangle wrap around to make the triangular rifle butt shape.
The final stages of the figure was painting and colour matching.
Bronze Green Revell Acrylic Aquacolour Matt was used to match the dark green plastic. Afrika Braun desert colour matched the old flesh.
Cherilea 60mm figure No. 2 Falling Wounded
The other Cherilea 60mm German WW2 Infantry was in the bizarre shot falling wounded category. The same drill, pin with wire and glue approach was needed. The rifle was barely attached in two places.
Cherilea 60mm Figure No. 2 in pieces
Again, Bronze Green and Afrika Braun desert colour Acrylic paints were used to roughly match the originals. Another Cherilea 60mm jigsaw of arms and legs repaired.
As these were the only two figures of this type I had in my childhood collection of these odd sized or oversized figures, I noticed a stray oversize Airfix Afrika Korps officer clone figure. He started life as a recent China made plastic parachute toy soldier. I quickly based and painted him up in the same green, flesh and leather brown gloss Acrylic colour to be their officer.
Hanks 70mm big hollowcast Indian
This Hanks early 70mm figure of an Indian* c. 1916 turned up in a job lot, missing an arm. Identified by its base marking and in Norman Joplin’s Great Book of HollowCast Figures, this has to be a ‘plus-sized’ oddity well over a hundred years old.
.* American Indian, Native American, First People – insert as appropriate.
Hanks Brothers’ hollow-cast figures were an early rival or pirate of William Britain’s figures, only made from 1893 through to the depression (1920s or 1930s?) Former employee of Britain’s, the Hanks brothers mostly made 54mm toy soldiers, with only a handful of 70mm figures.
Knowing this, I was unlikely to find a suitable recast or spare Hanks 70mm arm anywhere.
I made a quick rough arm through bending some old sparkler or garden wire into the rough arm length plus extra wire length for a tomahawk.
The arm was built up using masking tape in strips and a tomahawk blade made of masking tape too.
New arm tried on for size and fit.
Finally, I had to decide whether to repaint the whole figure or not. At the moment, I thought not.
A mixture of black and silver acrylic paint turned masking tape into bare old metal.
A few smudges of red, grey green and brown matched the worn paintwork of the original.
H. Hanks Copyright? in faint writing on the base above the hollowcast metal drain or pour holes.
It’s a functional repair, good enough for gaming, with some ‘double sided’ folding masking tape holding it to a tuppenny base, keeping the H. Hanks name visible on the base for the future.
A new arm almost as good as old? Big Chief Tom-ahawk Hanks, ready for action for the first time in decades again alongside 60mm plastic Indians.
Fans of the BBC series The Repair Shop, a gentle hour’s watch of an evening, will appreciate the calmness of some quiet focussed mending.
I have been doing some gentle repair work in between Forest Indian / Close Little Wars skirmishes and reorganising my 54mm toy soldier storage into those handy stackable 4L Really Useful Boxes.
This reorganisation of most of my various junk shop and online job lot purchases into “like figures with like” boxes (Red Guards, Red Line Infantry, Scots, Cavalry, Bands, Blue enemies, Zulus, Cowboys, Indians, Khaki troops, Farm etc.) has revealed a slight repair backlog.
I can now joyfully look forward to many hundreds of hours of repair work on damaged men and horses over the next few years. I’m sure I will be putting in a new order for spare arms and heads from Mike Lewis at Dorset Model Soldiers sometime this year.
Mostly my repairs involve repairing or repurposing bashed old lead hollow-cast figures into game playable condition.
I frequently get emails asking if I will repair someone’s toy soldiers or animals that belonged to their father, grandfather etc. Regretfully I explain that my repairs are functional and to my own rough and ready standards for gaming, not professional repairs.
For a change from 54mm lead hollowcast figures, I decided to work on some fragile crumbling 1960s plastic figures, including oversize 60mm ones. Some of these have hung around in our family collection since my childhood. They never quite fitted with the Airfix others, so were usually left unloved in the toy box.
These four figures are Cherilea plastic 60mm WW2 Paratroopers c. 1960.
The two figures on the left have the look of French Resistance fighters, if any really damaged ones ever need a repaint. One of these needed the machine gun barrel repaired.
The grenade throwing figure needs a replacement hand and grenade built up from Fimo polymer clay, masking tape, glue gun or Multipose Airfix spares.
Over the past few years, a few more odd oversized ones have turned up in job lots, so slowly I have enough for a small skirmish game or two of khaki Infantry, Redcoats, Indians, American Civil War or Wild West.
I should be able to run soon a small Close Little Wars game in the Forest of Indians versus Troops (grey, khaki, Redcoat or blue), cowboys etc.
To identify these figures, apart from base markings, I have used Barney Brown’s Herald Toys web shop archive pages of sold figures:
This post is for Brian Carrick of the Collecting Toy Soldiers blog and 1980s Big Wars article who says at the moment in a previous comment he feels like one of these brittle plastic figures – get well soon, hope the broken leg is mending well!
Blog posted by Mark, Man of TIN on 19 /20 June 2020
Hong Kong marked broken ‘Elastolin style’ Ancient warrior to rearm and repair, alongside my Cherilea ‘Viking’ as I have always called him.
The Cherilea ‘Viking’ over the years had lost spear, sword scabbard and finally one helmet horn. The spear and scabbard were roughly repaired with wire (old sparkler wire). The damaged helmet and missing horn was more difficult. A piece of foam and the round end of an old paintbrush were superglued into place. After painting, these should blend in.
For family household allergy reasons, I do not usually use epoxy fillers, Milliput or Green Stuff for figure repairs. Instead I improvise with PVA, UHU glue, matchsticks, cocktail sticks, wire, tissue paper, masking tape, superglue, Fimo polymer clay amongst other things such as cast metal 54mm spare heads, arms etc.
Cherilea plastic 60mm ‘Viking’ figure, an oversized oddity of my childhood.
One of the odd one out figures of my childhood, this oversize 60mm sized ‘Viking’ in my family’s collection may have arrived sometime in the 1960s/early 1970s in company with this pegleg pirate, which also needed repair from wear and tear.
Both oversized figures probably came from a job lot of odd plastic figures that my late Dad bought us all from the family next door in the 1960s once their children were grown up.
I kept them as crumbling curios. With so few and such weird choices of oversized figures, it was hard to fit them into games. Viking versus Pirate? Pirate versus Cowboy or Indian?
This fine 60mm Long John Silver figure by now had suffered a broken base, missing crutch and pegleg. A tuppeny base and garden or sparkler wire inserts wrapped in masking tape were secured with superglue. Not sure of maker, the base was so damaged.
Like Weebles and many other plastic figures in our house from the early 1970s, a basic Airfix grey home paint job needs replacing with something better.
Size and scale comparison of Lemax Christmas Village figures (big 1:32) with 60mm Indians – a source of civilian figures?
A growing war band of 60mm Indians – I may leave the well worn paint as found on some of these. The front one is repaired Crescent, the others are unknown makers, the bases marked with a round circle with a pattern of dots and lines.
I hope that I can gently use these Indian figures with some ACW and cowboy figures for a Forest Indian oversized figure skirmish in the next few weeks. This might be the first time in decades that they have seen any play action.
Two red painted oddities from my childhood, a Crescent 54mm or 1:32 scale Friar Tuck and a ACW or 7th Cavalry 60mm plastic podfoot. We must have had a surplus of red gloss or a shortage of other paint at home. Well worth a repaint, especially so Tuck can rejoin my other 54mm Robin Hood figures.
The unmarked seventh cavalry type figure was unstable as a podfoot so I have added a tuppenny base.
Downsized back to 54mm figures now
The last three figures came from joblots and from amongst the wider family – original Airfix 1:32 paratroopers from 1969 that I never saw or knew of as a child. I was familiar with their poses from the smaller OO/HO Airfix paratroop figures.
Fragile early Airfix 1:32 paratroopers 1960s, repairs to one’s fractured legs and missing SMG. The damaged one will get a repaint or paint job.
These crumbling, fragile plastic figures, where broken, needed careful keying or roughing up of the broken joint areas with a scalpel tip and gentle pin drill holes with an insert of very fine jewellery wire. Finally masking tape covered difficult joins or damage. This one damaged figure has both cut marks (lawnmower?) and teeth marks!
More about these first 1968/69 54mm figures here at Hugh Walter’s excellent Small Scale World plastic figure blog including pictures of all the 1:32 poses –
Rumours have reached the Redcoats at Fort MacGuffin that a gang of illegal loggers and miners are back in the hills to the NW edge of the Northern Forests. From time to time, rumours of past gold finds and limitless timber have lured landless settlers and gangs to try their luck.
Usually a Hunting Party of Forest Indians deal with any threats to their Hunting Grounds and Sacred Forests.
Redcoat patrols in the forest are warned to watch out for trouble. What will happen?
A small gang of armed miners is glimpsed at the entrance to the old mine, pulling down the boards that close it off.
D6 thrown to see at which turn or when next two parties of miners (Turn 4 and 9) and the next two Forest Indian Hunting Parties of five each arrive at Turn 6 and 7.
The Redcoat patrol of nine will emerge on the board and road to the south of the mine at Turn 11. Two d6 were thrown to determine how many redcoats are on patrol.
A Forest Indian Hunting Party emerges from the Northwest following a scrub turkeyfowl. They spot the Miners and some felled trees. This must be stopped! Where there are a few Miners, more follow.
The Forest Indians decide to scare the Miners off with some up close rifle fire.
Do the Miners post a lookout? D6 yes 1,2,3 – no 4,5,6.
Do the Miners see the Indians moving in the forest before the Indians fire? D6 Yes 1,2 No 3,4,5,6 – at this point Turn 1 and 2 the Indians are not seen approaching.
By Turn 3, the Miners do notice the Indians approaching. They are all out of range.
The first Hunting Party of Forest Indians uses cover to get closer to the miners.
By Turn Four and Five, firing has begun.
By Turn Six, the Melee between the Miner with the Pike and the Indian Braves sees the Miner and one Brave killed.
Photo: Turn Four, To the North a second Party of miners appears, weapons drawn.
Turn 9 – the final small group of miners appear on the track, south of the mine. Several Forest Indians and Miners are in melee.
Turn 10 – more Close Range firing does not lead to a mass of casualties due to some poor dice throws when firing and lucky Casualty Savings Throws.
Turn 11 A patrol of Redcoats appears on the path, south of the mine.
At this stage with three groups on the table, I chose what would happen next from six options for a d6 dice throw.
1 – Miners fire on Redcoats
2 – Miners try to ally with Redcoats against Forest Indians
3 – Redcoats ally with Indians against Miners
4 – Redcoats fire in Forest Indians
5 – Forest Indians retreat away into the trees
6 – Indians fire on Redcoats
The outcome this time is Number Four, that the Forest Indians retreat whilst firing and being fired upon by the Miners.
Turn 12 – time to leave?
The Indians departing and Redcoats arriving, the Miners throw a d6 to see if they stay to fight (1-3) and be caught or retreat (4-6). They wisely throw a retreat dice number, leaving their equipment behind.
The fortunate Turkey watches the Redcoats load up and wheel away the Miners’ cart. It lives to gobble another day!
Before they departed, the Redcoats hastily used the gunpowder and explosives they found at the site to blow up the entrance to this troublesome mine good and proper, once and for all. If they can’t carry back all the Miners’ supplies on the cart, they will be buried for later or blown up in the mine entrance. No sense leaving it all for more Miners or the Forest Indians to find.
The fleeing Miners and Forest Indian Hunting Parties far away hear the sound and saw the plume of dust, smoke and rock spouting high above the trees as the Old Mine was sealed shut under a rockfall tumbling onto the Forest Path.
In their colonial policing role, the Redcoat Patrol gather up any dropped weapons and loaded them onto the Miners’ handcart. Removing any identification papers or personal effects that they find, the Redcoats quickly bury the Miners in one area.
That done, they bury the fallen Indians in shallow graves and cairns in another area, to keep them safe from wild beasts, knowing that the Forest Indians would return by nightfall to retrieve their fallen warriors and bury them according to the Forest Indian tradition.
By nightfall, even with the Miners’ Cart, the Redcoat Patrol should be back towards the safety of Fort MacGuffin by dusk.
Photo: The surviving two Hunting Parties of Forest Indians lurk to see what they can scavenge, including this small mystery barrel. Firewater? Explosives? Food?
Who knows what will happen next in the forests of North Gondal?
An enjoyable short solo skirmish game in cluttered terrain, handling three different groups of characters for once. Hope you enjoyed it too!
I am enjoying the rough continuity of tensions between skirmish episodes amongst the various character groups and their background motivations.
The 54mm figures and terrain used are the following:
The Forest Indians are my repaired and repainted mostly Britain’s Hollowcast metal Indians
The Redcoats are my paint conversions of Pound Store Plastic copies of WW2 German Infantry
Movement distances are again generally halved from the Close Wars appendix to reflect the smaller playing space available.
By chance, the Amazon.co.uk page for this book currently features in the sample pages / ‘see inside’ section a view of these Close Wars rules appendix – good choice, as you can see proof that it is a (reprint) book worth buying and reading!
Concerned readers will be pleased to know that Patch the dog, heroic hound and defender of his mistress Kate MacGuffin in the recent skirmish with the Forest Indians, is making a steady recovery.
Here Patch is pictured inside the Fort with his relieved mistress, the daughter of the Commanding office of the Forest Fort, receiving a treat from Captain Snortt.
Herbal remedies from the Fort’s new garden are part of his recovery plan.
Captain Snortt has been torn off a strip (thankfully not literally) by her father, Major MacGuffin, for getting them both lost whilst collecting herbs for the Fort’s herb garden and medicine chest.
There will be no such jaunts unaccompanied without a full patrol of Redcoats for the foreseeable future!
Patch has been awarded a fine engraved metal dog tag in lieu of the Gondal Star medal for his brave defence of Kate MacGuffin. Bravo, brave dog!
A Tour of the Forest Fort, North Gondal, Northern Pacific, 1870s
Let us take you on a tour of the small confines of the Forest Fort and Trading Post. Fort MacGuffin is the hub of several smaller defensive outposts in the area, developed and fortified by Major MacGuffin from an old Trading Post.
The timber for the Fort was all cut locally, much to the chagrin of the normally peaceful Forest Indians in what they regard as their sacred forests.
Inside the Fort, Kate MacGuffin has replanted the herb patch and added some floral colour. No doubt these are flowering medicinal plants of the area.
A small well of spring wate, separate from the moat, is topped with an attractive well.
The Fort’s small stock of timber and firewood is running low. Redcoats will have to set off into the surrounding forests to collect wood and even occasionally fell more trees.
On the other side of the small Fort and trading post, Captain Snortt checks recent Fort supplies.
A planked drawbridge in two removable sections crosses the small moat.
A small artillery piece protects the gate. (Toy soldier collectors might wish to know it began life as a novelty seaside pencil sharpener)
Rounding up the Fort livestock and patrolling the walls keeps the Redcoats busy.
Several goats, chickens and geese are kept for fresh eggs and milk (not mentioning meat in siege situations). These are now the charge of Kate MacGuffin, along with the Herb Patch inside the Fort and small veg gardens in the surrounds of the forest.
Redcoats are deputed to exercise the Regimental goats and protect them from the Forest Indians. They sometimes slip their halters and wander off into the Forest.
Freshwater fish are stocked in the moat in case of encirclement. Bored redcoats can fish from the ramparts as needed. Dynamite fishing also secures a ready catch in times of trouble, ready to be salted down or eaten fresh.
They await a travelling signwriter to spruce up their temporary sign by the Fort’s ‘Jack of all trades’ ASC Private Fuller.
In addition to the recent difficulties between the Forest Indians and the Redcoats of the Fort, worrying news has reached MacGuffin that some illegal loggers and miners have been seen neat the old boarded up mines.
Rumours of gold and limitless forest timber from time to time tempt roving bands of Outlanders and failed Settlers into the Forest, stirring up ill feeling and conflict with the native Forest Indians on their hunting grounds. MacGuffin is there as part of a Redcoat force to keep the peace and watch the borders and coasts of Gondal with the other surrounding kingdoms.
From childhood onwards, setting up Forts like these, they have had to have some logic to their structure, contents, exploitable weaknesses and other possible story lines.
A Small Fort Apache from Tiger Toys
The Fort was a gift from within the family, a find in a charity shop near where the Fort was made by Tiger Toys of Petersfield, Hampshire. The accompanying Timpo Swoppet figures or copies were sold through eBay but when I heard about the Fort, I expressed an interest and it arrived last Christmas.
For Fort enthusiasts, it is a Tiger Toys Fort Apache No. T550.
Tiger Toys, made in England, “Part of Growing Up” in the 1960s apparently.
“Dear Graham, your Birthday Fort is in good hands, albeit with new defenders.”
I would quite happily collect Toy Forts and Castles, if I had the space to store or display them, which sadly I haven’t.
This isn’t the cowboy fort I grew up with, which was slightly different with a watch tower in the corner but hopefully Graham loved his Fort as much as I did ours. It too had internal preprinted buildings. Our 1950s / 1960s family wooden Cowboy Fort did not survive several generations of children and damp, reportedly its rather simple inexpensive wooden pieces went ‘beyond repair’. Sadly no photos of this Fort survive. Luckily the family Toy Castle of the same vintage is still in good condition at home.
What I liked about this is its fold-away flatpack construction, including a fold in half base. Our childhood Cowboy Fort base and walls were permanently fixed, so more awkwardly big to store.
The walls slot easily together. Only the tape holding the doors and the horse hitching rail post needs some repair. The flag had also vanished.
Woodworkers and makers of model Forts might find these construction shots of interest:
For those who care about such things, the wall sections are 16 inches long and 5 inches high. The building is 15 inches long and 3.5 inches high. The board unfolded is 18 inches wide by 18 inches (9 inches when folded).
Who were Tiger Toys?
Without the original box, I would have no clue to manufacturer. Other Tiger Toy Forts that I have seen have small round Tiger Toys stickers or labels.
The Hilary Page Toys website about Kiddicraft designs of the 1930s – 1950s has a page on Tiger Toys but does not mention Forts.
Researching on the web, I found several past sales pictured on Worthpoint and PicClick post auction value sites showing Tiger Toys forts, including the larger or more complex Fort Sioux and my simpler Fort Apache.
The more complex Fort Sioux T55? has two (fixed or removable?) watch towers, ladder, loopholes walls and doors and what looks like a grander flag.
After Robert Hirst’s death in 1971, W. Graeme Lines of the famous Lines Bros (Brothers) family toy firm mentioned in a long Victoria and Albert Museum / Museum of Childhood interview talked about his short relationship with the Tiger Toys team of Petersfield until its closure in 1978.
I must have driven past the turn-off to the old Tiger Toys home factory, several times en route to somewhere else, little knowing that this Durford Mill in Rogate (Petersfield, Hampshire) was the 60s birthplace of my new vintage Fort.
Blog posted by Mark Man of TIN, 9 / 10 June 2020.
B.P.S. Blog Post Script
We end with an interesting video about the early designer of many of these preschool toys, Hilary Page of Kiddicraft from the Hilary Page Toys website, arguably the designer of the Lego brick (only patented in the UK). https://youtu.be/ClzySyzwi3k
Around the time in 2019 that Charlotte Bronte’s last surviving little book was saved by fundraising to be returned home to Haworth, I was lucky enough to spot this charming little handwritten book online. I bought it and asked its origins but the seller knew little about it, other than his father had picked it up somewhere.
Now The Warrior and Pacific August 1901 issue will be shared with the world to boost its tiny circulation and family readership.
The Bronte family wrote tiny book parodies of magazines and adverts of their early Nineteenth Century and Victorian times as part of their ImagiNations of Glasstown, Gondal, Angria and Gaaldine. These are housed at the Bronte Parsonage and have inspired my ImagiNations Games for many years.
Jump forward to the end of the Victorian era in 1901.
Entitled the Warrior and Pacific magazine, this tiny postcard sized ‘magazine’ appears to have been hand written and hand drawn around Maidstone in August 1901, possibly by a group of young boys or girls on summer holiday.
Some of the pen names are suitably grand – Montagu Fontenoy, John Fitzgerald, Major Pearl, Dick Iberville, Lady Sagasso …
Queen Victoria had died months earlier, this was written in the first Edwardian summer, August 1901.
Why was it written? It mimics and maybe mocks the thrilling, moralistic, mawkish and dull magazines of the day, based on the small sample that I have read. I have a few such random bound volumes of the Strand, Boys Own Paper and Girls Own Paper, Windsor Magazine etc. which make great Wellsian Little Wars hills.
Page 1 – Maidstone News Cs and B’s
“As the inhabitants of Maidstone seem to have left their native town to its solitary fate, Maidstone news is not flourishing. In fact about the newest thing about Maidstone is its emptiness.
The Creepers have joined the Boswells at Felixstowe where we hope the united forces will spend happy times.
This month saw two little Creepers born. Princess Winifred celebrates her eighth birthday on the twenty ninth and Princess Cecily her fifth on the nineteenth.
We congratulate them and wish them many happy returns on their respective birthdays.
We may expect in the near future to hear something definite about a certain Princess Eloise and a certain Earl Haynaught.”
Portraits of Cecily and Winifred appear on page Seven, alongside ‘Mary’ and a dog Maurice Bernard. The C’s and B’s are presumably the Creeper and Boswell families.
Are these real people?
A quick check on Ancestry and Find My Past on 1901 Census and elsewhere reveals no Winifred or Cecily Creeper born on those dates or at all anywhere, not just in Maidstone, although the Creeper surname does really exist. Similarly there is no R. Springfield in Maidstone but there were several Boswell families living in Maidstone in 1901 and 1911.
The main editor or illustrator appears to be one R. Springfield, ‘Warrior and Pacific, Maidstone.’
Page Ten and Eleven – A ‘Brothers Revenge’ and remedies for sunburn in the August issue 1901
Memories – “In the heart are many spots / sacred to Forget-Me-Nots”
Montagu Fontenoy? This may be an unconscious echo of “Lieutenant-General Sir Charles Montagu KB (died 1 August 1777) who was a British Army officer. He was the son of Brigadier-General Edward Montagu, colonel of the 11th Foot and Governor of Hull, nephew of George Montagu, 1st Earl of Halifax, and great-nephew to the celebrated minister Charles Montagu, 1st Earl of Halifax. He had an elder brother, Edward, who was killed at the Battle of Fontenoy, being lieutenant-colonel of the 31st Foot.” Or maybe just a good made up name?
Some of the portraits look as if they have sketched from magazines and may or may not be based on real people. Captain Earl Haynaught appears to be a made up name (the Earl of Hainault appears in medieval times in Froissart) but his portrait does look like Victorian army officer’s hat.
Other contributors include the grandly named Montagu Fontenoy, Major Pearl, Dick Iberville, Lady Sagasso and illustrator R. Springfield.
Page 2 – Editors Notes
“This is our grand August double seaside number and is generally considered the best paper of the month. We do not think that this year it will fall far below its usual high standard. We have many articles of interest this month that we have not had before and it bids fair to be a good success.”
“There is very extra special superfine, pluperfect competition specially designed for the pupils of Ronde College belonging to the Lower School and we hope to have a great many competitions for it. The prizes offered will be very handsome ones. There will only be two prizes for the two sets which are nearest right.”
Page 3 – ‘Model Mothers to Be – An Improvement on Home Chat Model Mothers’ by Lady Sagasso. An amusing little mock article about a warring celebrity couple and their darling only child that could have been written today …
Home Chat was obviously a style model to follow or mock – to make “an improvement on”. Alfred Harmsworth founded Home Chat which he published through his Amalgamated Press in 1895. The magazine ran until 1959. It was published as a small format magazine which came out weekly. As was usual for such women’s weeklies the formulation was to cover society gossip and domestic tips along with short stories, dress patterns, recipes and competitions. https://en.m.wikipedia.org/wiki/Home_Chat
Illustrators D. Iberville, H. Vaughan, C.U. Boswell, K. Selagein, S. Howard …
“It is an insoluble Chinese puzzle to Maidstone why they ever did it” is a good closing line to ‘Model Mothers to Be’.
Page Six and Seven – Dog breeds, royal portraits of Princess Winifred and Cecily (the Creeper sisters, with Cecily’s Fifth Birthday on the nineteenth, see page 1 Cs and B’s?) ,
Scene or art competitions ‘you have to sketch a scene in pencil or crayon. It may be a landscape, seascape, fire escape or any other scape. Size half this page. Paper provided’. R. Springfield.
Page Seven – Hints on Etiquette …
“When introduced to a complete stranger, there is no need, as a general rule, to shake hands, but to bow.”
“It is now fashionable for a bridegroom to wear lavender suede gloves”
“A gentleman should precede a lady in a crowded street, in order to clear a way for her.”
Page Twelve – ‘My First Attempt at Novel Writing’ a comic article by ‘John Fitzgerald’ – ‘extracts from JF’s novel next month’ – were there more issues of Warrior and Pacific?
Page Thirteen – Nature Competition’ – for the best pressed flower leaf or seaweed “sent to us before September 1st.” 
A Brother’s Revenge by Montagu Fontenoy
Stretched on the ground her lover lies,
With dagger drawn, her brother stands
“My brother, go” she sadly cries
“Oh Philip, hasten from these lands.”
He turns, then mutely kneeling down,
Beside that prostrate form,
With lips compressed, and beating heart,
She ———– his lifeblood warm.
She see the face she dearly loves
Now stamped with death’s grey hue
Grow fainter, fainter as she looks
With loving eyes and true.
One glance, one kiss, one gasp, one tear and all is o’er
She knows that brave heroic heart
Will beat on earth no more.
Then rising quickly from her knees
With a steadfast upward glance
She stoops beside the fallen man
And holds his fatal lance.
“I will not live my life” she cries,
With the passion of despair
Then with one sharp homeward thrust
She lies beside him there.
A variety of article styles are parodied or pastiches from dramatic poems, romantic gothic melodrama stories to nature notes and etiquette observations.
Page Fourteen – a portrait of Dick Iberville by R. Springfield ‘An Eminent Member of our Staff’
Page Fifteen – ‘By The Old Style’ [Styal?] story by Major Pearl: the heroine’s face “beautiful it is beyond doubt. Beautiful in the full beauty of womanhood and yet there is a winning girlish charm about it. She raises expressive blue grey eyes to the man’s face …”Etc, etc.
‘To be continued in our next’ issue – by Major Pearl – do any other issues of Warrior and Pacific exist?
Hold the Back Page! For the next 120 years …
I shall type out a few more of these strange little mock articles in the coming weeks.
Warrior and Pacific Magazine – Excellent for the ImagiNations?
I feel the Warrior and Pacific should have a travel writer or war correspondent. Maybe we can send an eminent member of our staff Dick Iberville or hope that Captain the Earl of Haynuaght is not too busy with Princess Eloise to provide some Churchill style dispatches from the front?
Warrior and Pacific – It ought to have a railway company named after it.
I feel sure that we should ‘find’ a few more back issues of the Warrior and Pacific, (c/o The Editor Maidstone) in future.
Why do I like this tiny very fragile magazine?
I really like the mixture of tones in the article, faithfully recreating or mocking the magazines of their day.
As a comic book writer and cartoonist at school, I was part of an underground 1980s fanzine / samizdat culture of small comics and magazines satirising events and caricaturing school and national personalities. These were often in small runs of a couple of hand stapled photocopies or hand-drawn originals circulated to avoid unwanted attention from “the authorities”. A scurrilous rival comic in the sixth form got busted, snitched or grassed to teachers (not by me, I hasten to add), shortly before we left school and expulsions were threatened.
B.P.S. Blog Post Script
Interesting comment from Rosemary Hall on the handmade little books, worth sharing:
A delightful find! It reminded me of a handwritten (but full-size) Edwardian magazine, written by members of a family, at least one of whom was awarded a military award – as featured in episode 3 of History Hunters, originally shown on Yesterday, and still, I think, available on catch-up (UKTV).
The writing of such magazines was not unusual, in the days before the availability of commercial entertainment – think of the Hyde Park Gate News, the magazine that Virginia and Vanessa Stephen (to become Virginia Woolf and Vanessa Bell) and their siblings produced during their childhood. &, while not a magazine, there was the Journal that Beatrix Potter kept for several years, a journal that was not just in tiny writing (like the Brontes’ little magazines) but in code.
Another example of the kind of writing produced for amusement by young people in the past is the collection of handwritten little books produced by the Nelson brothers in 19th century America. The collection was discovered by Pamela Russell when she was at an auction house in southern New Hampshire, and came across a ‘flimsy, old shoebox filled with tiny carefully handwritten books’ – a collection consisting of over 60 volumes!
They are described as comprising ‘an astounding, one-of-a-kind trove of stories and drawings [revealing]…what life was like for …[youngsters] growing up in rural 19th century America.’ The books are now in the collections of Amherst College. To find websites describing the collection, go to a search engine, and type in ‘Amherst Nelson brothers’- and on one website there are digital images of pages from some of the booklets (which always made me think of the Brontes.) You see how the brothers combined accounts of their ordinary daily life with imaginative embellishments.