Miscastings or half castings that are not too bad do not always go straight back in the ladle.
To avoid fumes and mess, I restrict my casting to days outside in warmer weather with no threat of rain; hot metal and moisture make an explosive mix.
As a result casting days (or days when I have time and feel like casting) are infrequent enough that I save the 90+ % figures that are ‘nearly all there’. I can then do some simple repairs on missing musket tips and other fiddly bits. Even missing heads can be swapped …
“Where’s your head at?” Missing a head, why not try swopping one with a Pound Store figure?
Such repairs that I make are usually fairly simple ones, such as drilling out a miscast musket to insert a short piece of wire.
On the repair tray where missing musket tips are replaced, heads swapped and bows repaired …
Old Toy Soldier DNA
You might notice from photos that I often drill, file and repair over sheets of white A4 paper, which I have folded into four and unfolded again to make a cross shaped crease.
This is because I keep the metal filings, drilling ‘swarf’ and trimmings from old Hollowcast figure repair, roughing up the base when rebasing or cleaning up home castings.
From time to time during repairs, I carefully slightly fold the crease-crossed A4 page and slide the metal filings and trimmings into a small lidded pot.
Why do I keep this toy soldier ‘magic dust’ mixed together in a small pot of this “old toy soldier DNA“?
It not only keeps the workbench of my roll-top desk clean but it also means that I can then add a minute pinch of this unique and special mixture from time to time to the casting ladle when home casting.
Each new shiny casting might then have inside it a tiny nano-percentage of an old Britain’s hollowcast casting or old flat tin figure.
Each shiny new casting then might have a small part of all the accumulated bravery, courage and adventure from the countless battles that the old damaged hollowcast veterans (from various makers and owners) have been through over the last hundred years or more.
Reinforcements for Tradgardland, Lurland or Afrika?
A small number of these unpainted Schneider castings of pith helmeted Colonial figures and fierce Natives will soon be heading towards Alan Gruber at the Duchy of Tradgardland blog as reinforcements for his interesting Lurland and Ost Afrika campaigns.
Alan has sent me some interesting spare figures and heads to keep me busy throughout Lockdown, so this is a small thin flat thank you heading to the Duchy of Tradgardland Post Office.
Fight well my tiny men, you have the brave DNA of old toy soldiers in you!
Previously on Man of TIN …
Here is one of the first blog posts that I wrote back in 2016 “type casting”. My WordPress avatar / host page @26soldiersoftin is still named after these famous “26 soldiers of Lead” of Gutenberg (or whoever first said this quote).
We finish with a fine picture of a dapper, almost Duke of Edinburgh looking Donald Featherstone, casting away on the kitchen stove in his cheerily enthusiastic 1960s book Tackle Model Soldiers This Way.
“In the author’s house, everyone slaves over a hot stove”. Note the plate drying rack and safety equipment of a shirt and tie. An inspiration to us all!
If you want to have a go at casting, these companies sell new moulds and casting equipment:
Prince August (Ireland / UK/ EU) do some great starter sets at their website
What, no Soviet women in these 54mm figures? Annie Norman of Bad Squiddo Games is producing a new range of 28mm Soviet women of WW2 on Kickstarter and then via her web shop. I don’t collect or play with 28mm figures at the moment but I have bought several vignette packs of her interesting female figures like her Land Girls. https://badsquiddogames.com
Today’s casting session outdoors in the garden sunshine worked much better than one last week late afternoon with a chill in the wind.
These are mostly 45mm – 50mm Flats from old metal Schneider moulds.
The metal Schneider type home casting moulds do not work so well or the metal run so well if they lose too much heat between each cast.
Last week’s casting session – colder weather – and some scenics
I am keeping some of the miscast ones to see if I can repair muskets or rifles and swap missing heads with …
Pound Store Plastic figures.
Schneider mould 69 – colonials and highlander
Schneider mould 56 – settler and natives
Schneider mould 70 – charging colonial officer and bayoneting soldier
Schneider mould 80 – peaked cap kneeling and standing firing
Mixed in amongst last week’s castings you can see some flat scenics, which did not cast fully – low brick or stone wall, wall and hedge section – and a successful churn. Five bar gates are as tricky as cannon wheels!
I was also testing out an old silicon home cast / home made moulds that I bought a while ago for a Britain’s American infantryman in 54mm. The 50mm little Indian infantryman is an attractive figure, again randomly acquired.
Now for a trim and tidy up …
Meanwhile back at the Flat 2D ranch …
Alan Duchy of Tradgardland blog has been doing some unusual small Flats skirmishes of late such as these:
This interesting rusty old female figure (below) was amongst an unexpected gift of some spare battered metal band figures from Alan (Duchy of Tradgardland) Gruber. Thanks, Alan.
It gave me an idea, after watching the Morecambe and Wise comedy film The Magnificent Two, 1967. This is set in the fictional 1960s South American ImagiNation of Parazuellia (think Mexico with a dash of Castro’s Cuba).
The female figure was marked by its maker ‘G B’ on the base, wearing what looked like 1980s British Army female uniform, possibly a band figure based on the double arm stubs.
Here are the other battered band figures along with some spare and useful heads from Alan Gruber, which were of no immediate use to his small scale infantry skirmish games. A real mixed bag …
A useful selection of heads including two useful Gurkha ones and a mixture of band figures. Many are still queueing along on the painting table.
There were several royal marine type drummers and buglers but also some headless drummers and two with pillbox hats with a feminine look.
What emerged was a female Parazuellian Womens’ Revolutionary Army pipe and drum band, sporting their battle bowler British type Mark II helmets at a jaunty angle, as in the film screenshot below:
Isobel Black (L) and Margit Saad (R) wearing their steel helmets in he Magnificent Two
As you can see, the helmet roundels are a red star on a white circle with green surrounding line.
Green, white and red are of course the colours not only of the Parazuellian Revolutionary Army in the film but also Mexico in real life. The Revolutionary red is picked up in the scarves, the green in the khaki or olive drab costumes.
Here is that rusty female figure remade as a Parazuellian general:
This could be a General Carla type figure, leading the Women’s Revolutionary Army.
Three side drummers and a piper, all with the national colours of Revolutionary red, white and green
I tried the figures without helmets but they lacked the charm of the ‘battle bowler’.
Luckily I had four spare steel helmets from an old Airfix Multipose set of Eighth Army figures.
I used two suitable spare Gurkha heads from the head pile for the two headless drummers. After filing down these pillbox hats in order to fit the helmets, I added some bushy female hair with tissue paper and PVA.
In the same way a piper’s cape was added with tissue paper and PVA, to cover the join of these slightly outsize (man’s?) bagpiper arms.
The officer figure’s arm stubs (originally for playing a musical instrument?) were removed and after drilling through, wire and masking tape arms were added.
As I used dark earth skin tones on the new BMC Plastic Army Women to match or suggest the South American ImagiNation of Parazuellia, I used the same skin tones and shiny toy soldier face style including copper cheek dots. These work better on darker skin than the usual pink cheek dots.
A final coat of gloss acrylic spray varnish toned the mixture of matt and gloss acrylic together in a suitable shiny toy soldier style.
Music was absorbed into their layers of paint and varnish throughout their creation. Accompanying the painting was some jaunty untraditional pipe and drum music on YouTube, Indian pipe and drum bands – at one point I thought these figures had the look of Indian female troops.
A more South American / Mexican pipe and drum sound can be found with the San Patricios or St Patrick’s Battalion pipe and drums (Mexico City), apparently remembering the Scottish and Irish troops who defected from the USA to fight for Mexico in the US -Mexican War of 1847.
My FEMBruary last post to mark International Women’s Day March 8th and Women’s History Month in the UK and USA.
One of the background presences in Little Wars and Floor Games is the swish of skirts of women of the Wells’ household.
Part I – Boys and Girls, Floor Games and Little Wars
Women crop up somewhat comically in Floor Games and Little Wars as interrupters, destroyers or dismissive of these mostly boy’s games. The rare “more intelligent sort of girl who likes boy’s games and books” of the title, preface or dedication seems to have left little trace from the time.
Little Wars, Part I: “can be played by boys of every age from twelve to one hundred and fifty—and even later if the limbs remain sufficiently supple—by girls of the better sort, and by a few rare and gifted women.”
Little Wars, Part II : “Primitive attempts to realise the dream were interrupted by a great rustle and chattering of lady visitors. They regarded the objects upon the floor with the empty disdain of their sex for all imaginative things.”
Little Wars, Part II: “First there was the development of the Country. The soldiers did not stand well on an ordinary carpet, the Encyclopedia made clumsy cliff-like “cover”, and more particularly the room in which the game had its beginnings was subject to the invasion of callers, alien souls, trampling skirt-swishers, chatterers, creatures unfavourably impressed by the spectacle of two middle-aged men playing with “toy soldiers” on the floor, and very heated and excited about it.”
On a practical basis, any child or adult of us with no set-aside games room or table who has tried Garden or Floor Games knows the frustration of destructive feet, mealtimes or animals.
Wells recommends ideally playing “in no highway to other rooms” and maintains for some of the book an even and equal approach to male and female involvement.
Floor Games, Part I: “The jolliest indoor games for boys and girls demand a floor, and the home that has no floor upon which games may be played falls so far short of happiness.”
“It must be a floor covered with linoleum or cork carpet, so that toy soldiers and such-like will stand up upon it, and of a color and surface that will take and show chalk marks; the common green-colored cork carpet without a pattern is the best of all. It must be no highway to other rooms, and well lit and airy. Occasionally, alas! it must be scrubbed—and then a truce to Floor Games.”
“Upon such a floor may be made an infinitude of imaginative games, not only keeping boys and girls happy for days together, but building up a framework of spacious and inspiring ideas in them for after life. The men of tomorrow will gain new strength from nursery floors. I am going to tell of some of these games and what is most needed to play them; I have tried them all and a score of others like them with my sons, and all of the games here illustrated have been set out by us. I am going to tell of them here because I think what we have done will interest other fathers and mothers, …
Lots of boys and girls seem to be quite without planks and boards at all, and there is no regular trade in them. ”
Floor Games, IV: “I will now glance rather more shortly at some other very good uses of the floor, the boards, the bricks, the soldiers, and the railway system—that pentagram for exorcising the evil spirit of dulness from the lives of little boys and girls.”
Little Wars seems a little less inclusive in its language:
Little Wars: “Every boy who has ever put together model villages knows how to do these things, and the attentive reader will find them edifyingly represented in our photographic illustrations.”
Centre of the household was Wells’ second wife ‘Jane’ (Amy Catherine) Wells, (1872-1927), the same age as Jessie Allen Brooks. She typed Wells’ work, ran the household and as A.C.W, the War Correspondent, took (some of?) the photographs for the original magazine articles and the book. She also would have been the one who typed up and proofread Wells’ manuscripts for Little Wars and Floor Games.
As we mentioned in an earlier blog post, listed in the Wells household in the 1911 Census for Hampstead there was also
Mathilde Meyer the Swiss Governess, 28
and two domestic servants –
Jessie Allen Brooks, 38, Cook – Domestic, b. Richmond, Surrey
Mary Ellen Shinnick, 27, Housemaid – Domest, b. Coppingerstown, Cork, Ireland
These are the ladies behind the dreaded broom shown or illustrated in Floor Games:
Interesting how girls do still get occasional references in Floor Games at least and mostly omitted from Little Wars. Alongside the Battle of Hook’s Farm, the ‘Battle of the Sexes’ was hotting up in Edwardian Britain with the rise of Women’s Suffrage.
Within the towns in Floor Games, III: “You can make picture-galleries—great fun for small boys who can draw; you can make factories; you can plan out flower-gardens—which appeals very strongly to intelligent little girls.”
Mostly in Floor Games, Wells remembers to be inclusive of boys and girls, fathers and mothers. This is less so in Little Wars, I: “This priceless gift to boyhood appeared somewhen towards the end of the last century, a gun capable of hitting a toy soldier nine times out of ten at a distance of nine yards.”
Interesting to think that at this same time, enterprising girls in this Edwardian period were joining or rivalling their brothers by setting up their own Baden Powell Girl Scout groups in response to Scouting for Boys (1907/08), quickly officially channeled into BP Girl Guides. The Suffragette movement in Britain was moving into its most active and aggressive phase as well.
Boy Scouts were quickly produced by Britain’s in 1909 and many other hollow-cast manufacturers but did not produce Girl Scouts. USA Girl Guides were first produced by Britain’s in 1926 and British ones not until 1934! The Boy Scouts crop up from time to time in J.R. Sinclair’s charming line illustrations.
I have written in another post about Mathilde Meyer, the Swiss Governess who took over the care of the Wells’ two children Frank (b.1903) and Gip (b.1901) from Jessie Allen Brooks who had been partly their nurse.
Mathilde Meyer in her memoir H.G. Wells and his Family (1955):
“But Mrs. Wells , who had been looking on highly amused! Intervened at that moment, saying that there was no time now for battles, that it was the night when the floor had to be scrubbed, and soldiers and bricks to be put back into their boxes, before bedtime.
Both boys protested wildly: “Oh, Mummy, Mummy!” They shouted, “not to-night, please, not to-night!” But Mummy was firm.
This was the worst about Floor games. The linoleum, on which they were set out, alas, had to be washed periodically. An armistice had to be declared. The battlefield had to disappear completely; the boards had to be out against the wall, and twigs that looked already looked a little wilted, burnt with the paper flags.
I wished my new pupils good-night, wondering what kind of inspiration I had made on them. It was not until weeks later that Jessie told me what their verdict had been. “Stupid – but quite nice.”
So who were these washers and scrubbers of linoleum?
I find Jessie Allen Brooks an intriguing figure, as her age and working class background is similar to H.G. Wells but her life was so different. Wells’ mother Sarah remained in domestic service on and off before and after marriage, depending on the family income including time in service at Uppark, living in accompanied by Wells as an ailing child
I will deal with Mary Ellen Shinnick the family’s Irish domestic servant in 1911 in another post.
Jessie was Nurse to the Wells’ boys before Mathilde arrived in 1908. She continued to play an important role as Cook and Nurse in their lives during the time that Mathilde was their Governess until 1913, almost until the two boys departed for Oundle School in Autumn 1914.
In the final year or two, male tutors Mr. Classey and the Pomeranian / German Kurt or Karl Butow played more and more of a role in shaping the boys’ education in preparation for an all boy’s boarding school like Oundle. Mathilde Meyer kept in touch by letter with the boys over the years, well into the 1950s.
Jessie Allen Brooks is a large but largely hidden behind the scene presence in the lives of the two Wells boys and the Wells household. But for Meyer’s memoir and the 1911 Census, she would be another Invisible Woman in the Floor Games and Little Wars world of H.G. Wells.
Jessie was Nurse to the two boys in the absence of their mother, she is their Cook for nursery teas, with or without their mother, and she is the mistress of the dread bed and bath time as an end to the day’s imaginative games.
No doubt she would also, with the other Wells’ servant Mary Ellen Shinnick, have been a scrubber and washer of chalk outlines of “the country” on floors, burner of paper flags and wilting twig tress, sweepers up and accidental destroyer of toys and games left out beyond their time.
Jessie Allen Brooks – destroyer of worlds! – to misquote Robert Oppenheimer.
I have no photograph yet of Jessie Allen Brooks but we do have an affectionate pen portrait (looking back in her memoir H.G. Wells and his Family from 1955) of Jessie from Mathilde Meyer on her arrival at Spade House in 1908. Mrs Wells says they will all “have tea with the boys, and Jessie the nurse …”
“Jessie, the nurse, was introduced to me next. She was, as I found out later, a very efficient nurse, and devoted to her charges. Middle-aged, tall and gaunt, she seemed almost severe in looks, and naturally I wondered how I would get on with her.”
Compare this to her description of the first servant she meets at the door, quite anonymous, so probably not Jessie’s younger sister Mabel who worked with Jessie at Sandgate for the Wells’ household (1901 Census): “A maid in a white cap and apron appeared at the door … Presently the maid came back to tell me Mrs. Wells was busy in the garden …”
Mathilde’s bag is carried to her cleaned room, hot water is already there for washing – all the busy work of keeping a middle class Edwardian household goes on mostly unseen.
Mathilde Meyer notes in her memoir that: “I looked no doubt somewhat scared when [Mrs. Wells] told me that, because she tried to assure me by saying that Jessie would still be in the house, although no longer in her capacity as a nurse, but as a cook, and that I could therefore always rely on her to help me if either of the boys were ill and wanted extra attention and care. I felt reassured. “
A Governess, especially a foreign one, held a slightly odd, more elevated social position above stairs compared to a domestic servant like Jessie Brooks.
After a battle of the Floor Game or Little Wars by Wells and his two boys, Mathilde Meyer notes after the game and repair of broken figures that:
“Then suddenly the schoolroom door opened, and there stood Jessie, gaunt and serious. “Bath time for you, Frank,” she announced curtly and Frank, without a murmur, followed her out of the room…”
There is a transition period when Jessie fills the new younger arrival Mathilde in with quirky details on how the Sandgate seaside Wells household runs and the character of the Wells family and boys including the “prickly” H.G. Wells, the unconventional dining outside where possible, not always dressing for dinner and Wells’ bohemian habits of walking around the garden in bare feet.
“Later that night, Jessie on her way to bed, came to my room to enquire …”
Further glimpses of Jessie occur throughout Mathilde Meyer’s memoir, but as the transition of roles continues, we read less and less of Jessie’s work.
It is not absolutely clear if Jessie transferred in Spring 1912 with Mathilde and the Wells household to Easton Glebe (Rectory) in Dunmow in Essex when they moved from Hampstead (London) to the country. A “lively dark haired Irish parlourid” is noted there, who could be Mary Ellen Shinnick.
Jessie Allen Brookes – Early life and family
The 9 year old Jessie Allen Brooks is at school. The family are living in 2 Elm Cottages, Princes Road, Richmond, Surrey.
Son of a labourer, Jessie’s father William Allen Brooks (b. Chelsfield, Kent 1842-1931) was working as a gardener, like H.G. Wells’ father Joseph.
In 1871 he was a gardener working in Plaistow, Bromley. (Born in 1866 in Bromley in Kent, H.G. Wells would have been about 5 at this time).
Her mother Mary Ann Sills (b. Maidstone, Kent 1845-1923) was from Maidstone, Kent. She married William Allen Brooks in 1867. Her father John was a quarryman (1851 Census).
Jessie’s family was made up of her mother, father and 3 brothers and 2 sisters:
William Stephen Sills Brooks, (b. Plaistow, Kent 1868 – d. 1931, Guildford, Surrey) – according to the 1911 Census, he became a Gardener like his father in Woking Surrey
Jessie Allen Brooks, (b. Richmond, Surrey 1872 – 1938, Surrey)
George John Brooks, (b. 1875 – 1955) who became a drapery manager, married and had a family.
Rose Elizabeth Brooks (b. Richmond, Surrey 1877, – 1955)
Mabel Offord Brooks, (b. 1880 – 1970)
Born after the 1881 Census:
Ada Mary Brooks (b. 1882 – 1888) Princes Road, Richmond
Albert (‘Bert’) Richard Brooks, (b. 1886, Gunnersbury, Middlesex, d. 1929 Cobham, Surrey) who became a Grocer in Cobham, married and had a family.
In 1891 the 18 year old Jessie Allen Brooks was working alongside her sister Rose Elizabeth Brooks (1877-1945) in 5 Shaa Road, Acton (London, now W3) for Susan Boddy, head of a family of Wells children born all over the Empire.
Presumably the Wells / Boddy family were a military, trade or civil service family, Susan has remarried a Mr. Boddy, who is absent from home on the 1891 Census day. Adelaide or Adalaide M Wells and siblings – one to follow up in another post.
I can’t work out if this Shaa Road Boddy / Wells family connection is coincidence or how and whether these Wells might be related to H.G. Wells. He came from a big family of brothers and sisters, aunts and uncles.
Domestic servants and their siblings were often referred (on good character or reference) from one previous family employer to another branch of the employer’s family or friends. It is not uncommon to find sisters working together in domestic service.
Going back to the 1901 census, 28 year old Jessie Allen Brooks (b. 1872-1938) is working as a Cook- Domestic for the Wells family at Spade House, Sandgate, Kent, along with her sister Mabel Offord Brooks (1880-1970), then aged 21 – Housemaid Domestic.
1911 Census – as above, in 17 Church Row / Road, Hampstead – Jessie is working for the Wells family.
So there is a mini history of the Wells household, the houses where Little Games and Floor Wars were created and played, and where Jessie Allen Brooks and her sisters worked hard behind the scenes.
What happened next to Jessie and her family?
After working with Jessie in 1901 for the Wells family at Spade House, Sandgate in Kent, sister Mabel Offord Brooks may have travelled 2nd Class as a domestic to New York in 1909 from Liverpool aboard the White Star liner Baltic. By 1911 she was back in Woking in domestic service for the family of bank clerk Bernard Blagden family.
Jessie’s mother Mary Ann died in 1923. Younger brother Albert died in 1929, aged 42. Her father William Allen Brooks died in 1931 aged 89, when she was 58; the same year her older brother William also died, aged 62.
In 1927, Wells’ second wife ‘Jane’ (Amy Catherine) Wells died at Easton Glebe, Dunmow, Essex.
Some women of property were given the vote in 1918, the rest in 1928. We start to pick up traces in the Electoral Register in the 1930s.
In 1934 Jessie Allen Brooks is living with her sister Rose in a shared house with the Collins family Woodfield, Goldsworth, Woking (Electoral Register). By 1937, Rose, Jessie and Mabel Brooks are living together again.
In 1938, Jessie Allen Brooks died, aged around 65.
In 1939, Mabel and Rose Brooks are living together now in 25 Kingsway, Woking (near Horsell Moor of War of the Worlds fame). Aged 59, Mabel is still working in paid domestic service!
Sister Rose Brooks died in 1945, aged 68. Her and Jessie’s former employer H.G. Wells died in 1946. Mabel is still living there through the 1950s into the mid Sixties.
Mabel Offord Brooks died in Northwest Surrey in 1970, the longest surviving of the Brooks siblings.
Until the 1921 census appears in 2022, it will be difficult to say how long the ageing Jessie Allen Brooks stayed in service with the family. Sadly there is no surviving 1931 or 1941 Census.
She died aged c.65 in 1938, appears never to have married and lived in her later years with her spinster sisters, who also had careers in domestic service.
Jessie Allen Brooks – a woman from a very similar background to Wells himself but whose life was very different. Importantly she kept the Wells family clean and well fed throughout many years!
My final entry for the FEMBruary female figure painting challenge are these fine new plastic 54mm BMC Plastic Army Women figures. They reminded me of the Revolutionary female figures in a favourite Morecambe and Wise film from childhood, The Magnificent Two (1967).
Read more from these two posts from my Pound Store Plastic Warriors blog:
Following up my blog post about H.G. Wells’ childhood battles in his head in the late 1860s and early 1870s across the wild spaces of Bromley, recaptured in his Little Wars floor games and garden games of the Battle of Hook’s Farm,
“The land was still mainly used for farming, divided up principally between Hook Farm to the west of Bromley Common, situated in the location of what is today the car park of Norman Park, and Turpington Farm to the east, close to the junction of Crown Lane and Turpington Lane.
Hook Farm was owned by the Norman family of The Rookery, and Turpington Farm belonged to the Wells family of Southborough Lodge (both of these residences are now destroyed).”
There are other mapping programmes or websites that allow you get an idea of the lie of the land as H.G. Wells saw it as an imaginative child General H.G.W. and as you can see it now.
Although the Bromley Local History site maps are placed online, it is worth pointing out that I do not own the copyright of any of these maps – I am sharing screen shots for research purposes, not commercial gain.
Hook’s Farm is where the Norman Park car park can now be found – mid centre of the map.
and scanning around such Street View images I spot a distant spire – Firely Church? I can’t pinpoint it on a modern map or know if it was there in late Victorian times but here is a church, visible just the same roughly from where Hook’s Farm was located.
I have yet to find a photograph of the old Hook’s Farm. Here is what it really looks like inside H.G. Well’s head and house in Little Wars 1913 wooden block form, Firely Church to the left, Hook’s Farm on the right ridge. The Ravensbourne stream is not marked.
Hooks Farm is now ‘Norman Park‘ and the demolished Farm is now a parking area. The restaging of Hooks Farm or a Little Wars centenary game in 2013 that was fought on the lawns of Sandhurst might have been a very different affair on a commandeered Bromley car park.
You can see in the wider Google satellite map how the Martin’s Hill site of many imaginary battles is still part of a green slice or wedge off to the South of Bromley through to the Norman Park Hook’s Farm site and on to Bromley Common and off the map, Keston Fish Ponds or Pool, mentioned in Wells’ battle narrative.
Nice to know from the Google maps overlay of businesses that not only the old Hook’s Farm site is now a place of leisure and hopefully imaginative play and Wide Games but that on the corner of Hook’s Farm Road is a nursery, hopefully full of imaginative play with wooden blocks and small world figures.
One excellent site is the National Library of Scotland websitehttps://maps.nls.uk/which allows you to look at the same place or grid reference on a range of maps over time – it works for your home, where you grew up and for looking up places like Hook’s Farm.
Thanks to Bromley Common and the other Bromley parks there is still a leafy edge that the young H.G. Wells might recognise, despite 150 years of building and suburban infill. The Ravensbourne Stream can be clearly seen.