A few Peter Laing figures amongst the scrap lead mountain

A successful bid on an online auction site around New Year  brought a kilo box of lead figures for spares or scrap for recasting, all for £10.

Among them I thought I had spotted some 15mm Peter Laing figures  in the single photo of a mass of random lead.  Now that Peter Laing figures are no longer made, finding new ones is exciting.

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So throughout the last two weeks in odd moments I have been sorting through this random mix of Napoleonic troops of many nations, a few ancients and even the odd space figure.

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Flocking and basing my way through a small part of a kilo of lead

It’s like a gamer’s owl pellet, ready for dissection. Mostly painted, with few broken figures.

Two weeks on and off spent flocking and basing and I am still not through this kilo of  this scrap lead mountain. Almost all will return to active service, few will end up in the casting ladle.

Most are 15mm to 20mm with many different manufacturers, with some good matches for Peter Laing 15mm figures and others of the gnome type of chunky 15mm that I thankfully bought very few of in my early gaming years.

I was right that there were Peter Laing figures in that kilo of lead – sadly less than I thought – but I really like the randomness of the other figures.

The Peter Laing figures match quite well with some of the other figures.

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Other slender 15mm figures that match well the Peter Laing American Civil War figure second from left. 
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Some other Peter Laing style figures flank the Peter Laing American Civil War Union infantryman. 
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Some Ancient Peter Laing warriors 
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Ottoman or Renaissance Peter Laing  Turks 

Some of the figures I recognised from the amazing collection of Peter Laing figures by John Patriquin the Wargame Hermit blogger.

http://wargamehermit.blogspot.co.uk/2013/09/15mm-peter-laing-ottoman-turks.html

The rest of the kilo of mostly Napoleonic era troops in their distinctive shakos, bicornes and helmets will be organised with minimal repainting into Gondal, Gaaldine, Glasstown and Angria forces for my Bronte juvenilia inspired skirmishes later this year.

They all look battle-hardened figures with battered bayonets and muskets to be carefully straightened.

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Just one interestingly shaped Peter Laing horse – not sure what – distinctively shaped even amongst a jumble of figures.

Posted by Mark, Man of TIN blog, January 2017.

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Twelve Drummers Drumming

To celebrate the last of the 12 days of Christmas

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To celebrate the last day of Christmas (arrival of the wise men, Epiphany, Twelfth Night and all that) and the traditional day to switch off or take  all your decorations down by, I give you –

Twelve Drummers Drumming.

These twelve drummers are the usual reason along with yesterday’s eleven pipers to shoehorn toy soldiers into Christmas  … tree decorations … wrapping paper …

Didn’t have enough milkmaids in my farm selection to do the Eight  Maids a-milking or enough senior commanders to make up the required number of Ten  Lords a-leaping (on horseback or on foot).

You can check out the origin of the the Twelve Days https://en.m.wikipedia.org/wiki/The_Twelve_Days_of_Christmas_(song)

The Twelve Drummers – in Deetail 

From the back row – Semi-flat gilt home cast US sailor, Johillco Khaki drummer.

Middle row – Modern Britain’s Guards Deetail “new metal” type Guards drummers,  Charbens plastic Guards drummer, hollowcast line infantry drummer, Lone Star / Harvey / Timpo Guards drummer, Modern Britains  Deetail “new metal” US Marine drummer.

Front row – bizarre Royal Marines repaint / head remodelling (carved / cut down busby) of Charbens Guards drummer figure 2 middle row.t

Repaired Britains Guards drummer boy (new right hand added with Fimo)

Centre – lovely modern metal Britains drummer boy (1999)

Hollowcast Guards drummer, ‘Made in England’ not sure of manufacturer

Last but not least, another odd one picked up job lot online –  Swoppet body, Royal Marines drummer but with carved Busby into Marines  helmet.

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Hallmark cards vintage drummer boy brooch in my collection.

The baker’s dozen … or thirteenth drummer.  This Hallmark cards ‘vintage’ drummer boy was a gift. He was originally made or sold as a brooch or badge with pin back,  temporarily attached for the picture with white tack  to a clear 1970s Star Wars figure base. He was too tall to feature in the first group photograph. 

Maybe he is a belated tribute to Bing Crosby and David Bowie singing the Little Drummer Boy, odd but a combination of voices which works …

The fir trees are again Christmas decorations, sold with these wooden bases attached. Stylish and atmospheric for those winter forest game scenarios  …

Next year I might be able to put together a Peter Laing figure twelve drummers drumming photo. I can’t quite make it with Peter Laing Pipers yet though. I (and E-Bay) often seem to have an excess of his 15mm drummers … and never enough fighting men. But that is for another Christmas.

A very Happy Toy Soldier New Year 2017

Blogposted by Mark, Man of TIN blog, 6th January 2017.

Eleven Pipers Piping

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Eleven Pipers Piping …

Celebrating the eleventh day of Christmas with eleven pipers piping from my toy soldier collection.  Figures old and new, painted and unpainted …

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Britain’s Pipers old and new, Prince August, Johillco and Lone Star / Harvey  Timpo plastics from my collection. 
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Interesting Christmas gift – these decoration trees.

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The trees are great and stylish for 54mm toy soldier games.

These trees are from trade only suppliers Ascalon, look out for them in Christmas decorations and interior design shops http://www.ascalon.co.uk/categories/christmas/whiter-shade-of-pale/stand-wooden-tree-12cm/7690

Blog posted by Mark, Man of TIN blog, 5th January 2017.

Bronte’s Waterloo Soldiers

 

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A young Bronte sister looks on as their Waterloo Soldiers are animated by  their imaginative minds – screen shot from BBC,  To Walk Invisible (December 2016)

One of my Christmas highlights on TV this year was the BBC drama To Walk Invisible about the Bronte Sisters and the tragic story of their brother Branwell.

The opening minute or two featured a gothic or dreamlike sequence where the four children running through a great imaginary place or palace open a box of Waterloo Soldiers and then choose some, based on  a real account of what happened when their father returned from a trip to Leeds with a box of wooden soldiers on the 5th June 1826.

This dreamlike sequence sees the children, their minds or heads imaginatively aflame, and their imaginations breathe life into or animate these wooden Napoleonic or Waterloo soldiers. Clever special FX  brings these Waterloo toy soldiers to life (using actors rather than CGI) amongst these child giants.

Each Young Bronte chooses and names a different figure from amongst the Napoleonic sailors and soldiers including a Napoleon figure, Sneaky, Waiting Boy, Gravey and Wellesley (The Duke of Wellington). A reminder that the Napoleonic wars had finished only a few years before the children’s birth.

The figures go on to becaome characters in their imaginative worlds of GlassTown, Angria and Gondal.

You can see the programme on BBC I Player  for the first few weeks of January 2017 – see the programme website.

http://www.bbc.co.uk/programmes/p04cf4wv

 

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The Waterloo Soldiers come to life …

Their shared imaginary worlds Angria and  Gondal had their origins in the Glasstown Confederacy, an earlier imaginary setting created by the Bronte children.

Glasstown was founded when 12 wooden soldiers were offered to Branwell Brontë by his father, Patrick Brontë, on 5 June 1826.The soldiers became characters in their imaginary world.

Branwell came to our door with a box of soldiers Emily & I jumped out of bed and I snat[c]hed up one & exclaimed this is the Duke of Wellington it shall be mine!!  When I said this Emily likewise took one & said it should be hers when Anne came down she took one also. Mine was the prettiest of the whole & perfect in every part Emily’s was a Grave looking fellow we called him Gravey. Anne’s was a queer little thing very much like herself. [H]e was called Waiting Boy[.] Branwell chose Bonaparte.

— Charlotte Brontë, The History of the Year   (Wikipedia source: Gondal)

This record of events by Charlotte is well and pointedly used in  dialogue  in the opening section of the BBC’s To Walk Invisible by the child actors /  the children portraying the young Bronte family. It reveals some of the rivalry and battles to come amongst the four surviving Bronte children.

The BBC screenplay / drama then skips almost 20 years later to around 1845 when the children are grown up, experiencing many difficulties in life and back together at home in their father’s parsonage in Haworth in Yorkshire (now a Bronte museum). http://www.bronte.org.uk

During December 1827 Charlotte suggested that everyone own and manage their own island, which they named after heroic leaders: Charlotte had Wellington, Branwell had Sneaky, Emily had Parry, and Anne had Ross. Each island’s capital was called Glasstown, hence the name of the Glasstown Confederacy.

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Naming their soldiers, their minds aflame. (All images Copyright: BBC To Walk Invisible)

The Paracosms or Imaginary shared worlds created by the Bronte children offer interesting gaming scenarios, which I have written about in the blogpost mentioned below. It is however taking me a long time to piece my way through the rich but scatty and scanty piecemeal survivals from this “imagi-nations” in their maps, stories and characters of their  worlds.

https://manoftinblog.wordpress.com/2016/06/12/the-brontes-games-scenarios/

I hope to set some of my Napoleonic / 19th century onwards games in this setting.

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So what is a Paracosm?

“A paracosm is a detailed imaginary world. Paracosms are thought generally to originate in childhood and to have one or numerous creators. The creator of a paracosm has a complex and deeply felt relationship with this subjective universe, which may incorporate real-world or imaginary characters and conventions.”

The Bronte children’s world is a curious mixture of their native Yorkshire, exotic tropical West Africa (“Ashantee”) read about in books, recent historical figures like Wellington, Napoleon or xplorers like Ross and Parry

Commonly having its own geography, history, and language, it is an experience that is often developed during childhood and continues over a long period of time, months or even years, as a sophisticated reality that can last into adulthood.” (Wikipedia Entry: Paracosm)

Some interesting writers are listed in this paracosm article / Wikipedia entry – some I have never heard of or read but some more familiar ones such as Tolkein or  C.S. Lewis.

 

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Bronte family map of Glasstown and Angria (Wikipedia source)

 

Sounds like lots of gamers, their blogs detailing  imaginary nations  and games systems …

 

The Wikipedia entry on Paracosms  also mentions Mark Hogenkamp’s 1/6th figure recreation of a fictional WW2 Belgium town in the Normandy period, after traumatic brain injury, documented in a book, art project and documentary film – http://marwencol.com/about/#about-marwencol

 

A similarly toy soldier or play restricted childhood created the inspiration Pete Shulman’s amazing clay creation and plastic kit decades long battlefields in America: http://www.peterswar.com/

Hopefully you will find the Bronte 2 hour one off drama To Walk Invisible as interesting as its opening toy soldier minutes.

Postscript

Interesting comment by Jon Meech about the Bronte worlds as early RPG Role Playing Games.

Warning – if you are a historical wargaming purist, here follows a fantasy game reference alert!

To me “Angria or Gondal Rebooted” is a chance to jazz up some scrap / spare 15mm Napoleonics of various countries and manufacturers from recent job lots.

The Bronte family  ‘tiny book’ works of their world fiction are similar to games write ups or wargames journals.

I found several interestingly titled articles on this interesting aspect of their work such as

Emily Bronte, World’s First Dungeon Mistress

http://cavalorn.livejournal.com/256668.html
Branwell Bronte’s contribution as dungeon master  and flavour text
https://glasscaseinpoint.wordpress.com/2016/04/05/gaming-with-the-brontes-flavour-text-role-playing-and-worldbuilding-at-the-parsonage/
and a Game of Thrones comparison

http://www.independent.co.uk/arts-entertainment/books/news/charlotte-bronte-200th-anniversary-how-the-brontes-created-a-completely-secret-game-of-thrones-style-a6994786.html

and extends into Jane Austen role play – with or without zombies

http://www.everjane.com/rules

Lots more interesting articles along this Bronte Sisters Role Playing Game / Dungeon Mistress / Fantasy vein

Posted by Mark, Man of TIN, 4/5th January 2017

 

 

 

 

 

 

 

Zinnfiguren Poem by Joachim Ringelnatz

There is a certain odd “found poem” feel to this Google Translate / automatic translation of the following poem “Zinn figuren” or “Tin Figures” by Joachim Ringelnatz.

I came across this at random in German on a German website

http://www.zinnhobby.de/zinn.php

 

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Box for these Schneider type zinn figuren homecast moulds.

 

“Tin figures”

The pewter figures are
Connection between art and child.
They portray all times.

As you walk, stand and ride

Small fairy tale from every country:
Indians, Knights, Saxons,
And what the Creator otherwise invented.

Even trees, beautifully grown,
Even houses, ships, railways,
Aircraft, cars, pelican

Like every other animal;
In short, everything and everything
Is here –
Studied by colour, form and meaning –
Beautifully formed in tin.

Sometimes tin is made of lead.

Sensibly, posed with love,
Shows the small big world.

If we still like the old,
Will this mean for me:
The pewter figures are
Connection between art and child
And us, the old people

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Or Microsoft Translate’s Version.

“Pewter figures”

The pewter figures are connection between art and child.
You describe all the times.

move, stand and riding

small fairy tale stained from any country:

Indians, Knights, Saxony, and what else invented the creator.

Also trees, beautiful also grew, houses, ships, railway, aircraft, cars, Pelican,

like every other living thing.
In short, All sorts and all is here – study for colour, form and meaning – beautiful pronounced in Tin.

Sometimes is the tin lead.

Made with love, that shows useful, small big world.

If that still like us old, will that mean for me: link between art and child and us, the old people are the Tin figures.

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A lot is obviously “lost in translation” or automatic translation as the saying goes. My German is “sehr  rustig” but hopefully a better translation will turn up.

The original German poem: 

“Zinnfiguren”

Die Zinnfiguren sind
Verbindung zwischen Kunst und Kind.
Sie schildern alle Zeiten.

Da schreiten, stehn und reiten

Klein-märchenbunt aus jedem Land:
Indianer, Ritter, Sachsen,
Und was der Schöpfer sonst erfand.

Auch Bäume, schön gewachsen,
Auch Häuser, Schiffe, Eisenbahn,
Flugzeuge, Autos, Pelikan

Wie jedes andere Getier;
Kurz: Allerlei und Jederlei
Ist hier –
Studiert nach Farbe, Form und Sinn –
Schön ausgeprägt in Zinn.

Mitunter ist das Zinn aus Blei.

Sinnvoll, mit Liebe aufgestellt,
Zeigt das im Kleinen große Welt.

Wenn das uns Alten noch gefällt,
Will das für mich bedeuten:
Die Zinnfiguren sind
Verbindung zwischen Kunst und Kind
Und uns, den alten Leuten

This poem was written  by Joachim Ringelnatz (1883-1934), deutscher Schriftsteller, Kabarettist und Maler (or German writer, cabaret artist and painter).

 

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Joachim Ringelnatz (Wikipedia source)

 

You can find out more about this writer, banned by the Nazis as “degenerate artist” (that to me from the perspective of modern times  is usually a fairly good character reference).

A former sailor, including service on minesweepers in the German Navy during WW1, Ringelnatz died destitute and penniless of TB in Berlin in 1934 after falling foul of the Nazi party in 1933.

https://en.wikipedia.org/wiki/Joachim_Ringelnatz

http://www.ringelnatz.net/

http://www.joachim–ringelnatz.com/

This site (above) has a good brief biography in English  including details of how Joachim fared when his  books and his satirical poetry performances were banned by the Nazis.

http://www.beilharz.com/poetas/ringelnatz/

Source:

http://www.zinnhobby.de/zinn.php

http://www.zinnhobby.de/ website

Photographs / figures: metal moulds, vintage figures and home cast figures from Man of TIN’s collection.

Posted by Mark,  Man of TIN blog, January 2017

Close Little Wars away game

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April  2016 Portable Game board

A  wet holiday week away from home led to an improvised gameboard in a tray, some found ‘logs’ and stones, a few dice and a handful of vintage OO/HO Airfix packed away in a tiny fishing tackle box or my “just in case” ….

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My “Just In Case” survival box  of vintage Airfix, ready for a solo game on wet holidays.

 

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A raid on family holiday art materials  turned up watercolour paints, A3 watercolour sketch book paper and other scraps (cereal box cardboard, glue, coffee stirrers) to make an improvised hex game board.

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The scenario was based around Brutish Redcoats versus Generican  settlers …

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This was a good chance over several evenings of “pick up and put away”, the joy of a portable game board.

It was a good chance  to try out a hexed up version of Donald Featherstone’s two page “Close Wars” rules as an appendix to his 1962  book War Games.

https://manoftinblog.wordpress.com/2016/06/09/close-little-wars-featherstones-simplest-rules/

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Flimsy cardboard game tiles warped a bit  when painted with watercolour … different card needed next time. I was very happy with my coffee stirrer bridge , the key point through impassable swamp and rocky terrain.

It had  a good miniature  Little Wars / Battle of Hooks Farm feel to it, using the lovely Airfix Guards.

I  haven’t written up the game report and probably never will now understand my end of turn notes (written to help me pick up the game the next evening).

Mostly I  wanted to clear away this unposted draft of 2016, ready for a new blogging year in 2017.

Happy gaming in 2017!

Posted on the final afternoon of 2016 by Mark, Man of TIN blog.

 

Toy Soldier Scrap Book

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Edwardian or WW1 scraps from an old postcard scraps book in my collection. The uniform looks WW1, the gun more like the riveted traditional toy soldier  Boer war naval gun.

 

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Further scraps
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My favourite tiny scrap of the whole book, these charming toy soldiers. 
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Review Hyde Park reads the wall poster – soldier boys in this Victorian or Edwardian scrap.
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WW1 type costume for dressing up, some delightful wooden toy soldiers and  a scrap of Victorian general Lord Chelmsford. 
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A delightful close up of one of the wooden toy soldiers. 
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Another Victorian hero General Sir Garnet Wolseley, kilted boy soldier costume  drumming and a naval rating doll.
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Another lovely scrap – Late Victorian or Edwardian scrap of early toy soldiers and toy fort, including an unusual flag. Sadly with some enthusiastic pencil scribbling that could be carefully removed.
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More child marching band scraps to match the kilted drummer boy. 
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The post card album is anonymous. A little pencil inscription on the first page beginning Mon Cherie …

Some of the other non-military scraps are interesting too. A colourful group of street scenes such as this railway scrap …

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Victorian or Edwardian train guard. 
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A close up of these Victorian newsboys 
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Another little vignette, a shoeshine boy near The Monument in London. 

Some of the scraps are quite large scenes, including this military grouping of Tussauds waxworks.

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Napoleon and General Gordon amongst the historical figures … 
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Yachting on the Round Pond …
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A much later press cutting in the back of the scrapbook from around 1945.

As with many scrapbooks, there is a strange reuse or later entry in the form of this World War 2 Royal Marines press cutting, talking about return from the recent fighting alongside Dutch troops in Holland.

Not knowing who the postcard album belonged to, I have no idea how this cutting is connected to the rest of the album.

Another curious addition included in this album when I bought it is this hand drawn silhouette titled ‘Welcome Home’.

An interesting little album …